History as Discourse in Historiographic Metafictional Novels

Document Type : Original Research

Author
Allameh Tabataba'i University
Abstract
To challenge the authority of Grand Narratives is a dominant feature of postmodernism and, naturally, postmodern writing. Amongst these grand narratives is History. Historiographic metafictional novels – as postmodern works of fiction – challenge the objectivity of History and reinterpret (or, better said, demystify) the historical record. The writers of these novels seek to show the multiplicity and textuality of history. Therefore, history in these works of fiction is a discursive construct and has an intertextual nature; and as a discourse it is constructed in and through language and is thus open to rewriting and recontextualization. The present paper examines two historiographic metafictional novels in both English and Persian literatures, namely, Graham Swift's Waterland (1983) and Hamidrezā Shāhābādi's Dilmāj (2006), in order to reveal the extent these novels have transformed the conventions of historical fiction.

Keywords

Subjects


جنکینز، کیت‌ (1393). بازاندیشی‌‌‌‌‌ ‌‌‌‌تاریخ‌‌‌‌‌‌‌، ترجمۀ‌ ‌حسین‌‌‌‌علی‌‌‌‌‌ ‌‌‌‌نوذری.‌‌ تهران:‌ نشر آگه.
پژمان، هدی و محمدعلی محمودی (1397). «شیوه‌های بازتاب استراتژی‌های روایی‌ فراداستان در رمان‌های پسامدرن فارسی»، پژوهش‌نامه‌ مکتب‌های ادبی، سال 2، شماره 3، صص. 67-98.
شاه‌آبادی، حمیدرضا (1387). دیلماج. تهران: نشر افق.
- Ackroyd, Peter (1997). Milton in America. London: Vintage.
- Barnes, Julian (1985). Flaubert's Parrot. London: Picador.
- Begley, Adam and Ian McEwan (2002). ‌"The Art of Fiction CLXXIII," Interview in Paris Review 162, pp. 30-60.

- Cooper, Pamela (1996). "Imperial Topographies: The Spaces of History in Waterland," Modern Fiction Studies 42, 2, pp. 371-396.
- Debs, Bifford (2002). The Writer. Lincoln: iUniverse.
- De Groot, Jerome (2010). The Historical Novel. London: Routledge.
- Dentith, Simon (2000). Parody. London: Routledge.

- Finney, Brian (1992). "Peter Ackroyd, Postmodernist Play, and Chatterton," Twentieth Century Literature 38, 2, pp. 240-261.
- Fowles, John (1996 [1969]). The French Lieutenant's Woman. London: Vintage.
- Hutcheon, Linda (1980). Narcissistic Narrative: The Metafictional Paradox. Ontario: Wilfrid Laurier University Press.
- Hutcheon, Linda (1988). A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge.
- Hutcheon, Linda (2002 [1989]). The Politics of Postmodernism. London: Routledge.
- Hutcheon, Linda (1990). "An Epilogue; Postmodern Parody: History, subjectivity, and Ideology," Quarterly Review of Film and Video 12, 1-2, pp. 125-133.
- Keen, Suzanne (2006). "The Historical Turn in British Fiction," in A Concise Companion to Contemporary British Fiction, edited by James F. English.‌ Oxford: Blackwell, pp. 167-187.
- Litt, Toby (2008). "Against Historical Fiction," Irish Pages 5, 1, pp. 111-115.
- Lukács, Georg (1989 [1937]). The Historical Novel. Trans. Hannah and Stanley Mitchell. London: Merlin Press.
- Malpas, Simon (2005). The Postmodern. London: Routledge.

- Manzoni, Alessandro (1986 [1850]). On the Historical Novel, Trans. S. Bermann. Nebraska: University of Nebraska Press.
- Matz, Jesse (2004). The Modern Novel: A Short Introduction. Oxford: Blackwell.

- McEwan, Ian (2002). Atonement. London: Vintage.
- McHale, Brian (1994 [1987]). Postmodernist Fiction. London: Routledge.
- Montrose, Louis (1989). "Professing the Renaissance: The Poetics and Politics of Culture," in The New Historicism, ed. Aram Veeser. London: Routledge, pp. 15-36.

- Nicol, Bran, ed. (2002). Postmodernism and the Contemporary Novel: A Reader. Edinburgh: Edinburgh University Press.
- Onega, Susana (1995). "'A Knack for Yarns': The Narrativization of History and the End of History," in Telling Histories: Narrativizing History, Historicizing Literature, ed. Susana Onega. Amsterdam: Rodopi, pp. 7-18.

- Romanos, Christos (1985). Poetics of a Fictional Historian. New York: Peter Lang.
- Stone, Lawrence (1979). "The Revival of Narrative: Reflections on a New Old History," Past and Present 85, 1, pp. 3-24.
- Swift, Graham (1992 [1983]). Waterland. London: Picador.
- Waugh, Patricia (2001 [1984]). Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Routledge.
- White, Hayden (1973). Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press.
- Woolf, Virginia (2000). "Modern Fiction," in Theory of the Novel: A Historical Approach, edited by Michael McKeon. Baltimore and London: The Johns Hopkins University Press.