Intertextual Analysis of the Quran in the Novel "Return to Panjrud" by Andrei Volas Based on the Theories of Julia Kristeva and Gerard Genette

This article analyzes the Quranic intertextuality in the prominent novel "Return to Panjrud" by the contemporary Russian author Andrei Volos. Relying on the theoretical framework of Julia Kristeva and Gérard Genette and employing a descriptive-analytical method, this research addresses the primary question of how the author has integrated Quranic narrative elements and themes into the literary and philosophical structure of his work, and what functions these elements serve. The key findings of the research show that Volos has utilized the holy text on two main levels. On the overt level (partial negation), he uses direct quotations of verses and allusions to Quranic figures for characterization, creating a spiritual atmosphere, and providing historical validation for the narrative. On the deeper, implicit level (parallel negation), the author creatively reimagines the central themes of the stories from Surah Al-Kahf—particularly the stories of Khidr and Moses, the Companions of the Cave, and Dhul-Qarnayn—to explain fundamental concepts such as divine justice, destiny, spiritual migration, and the model of a just ruler. This multi-layered intertextual engagement ultimately leads to the creation of an image of a "spiritual East" and solidifies the novel's monotheistic worldview, presenting the work as a bridge between Russian literature and the spiritual heritage of the Islamic East.