Turkish writer Orhan Pamuk in his novel "My Name Is Red" by presenting a historical fiction story of a moment in the history of their country's artistic and cultural developments The contrast between traditional art and Western art in the form of a long narrative in the face of the Ottoman court painters Venetian painters (West) has written to the Heand fabls by referring to the distant past and telling stories that are rooted in history and dream and myiths, wider problems of modern society in a way one of the complexities of the world today is rebuilt, This open confrontation with the audience intelligently processing, This raises the question; indeed the author of the text intended to articulate what it is and what it is, how does Reproducing? Part of that comes from this study that The story ultimately is the paradox interpretation unwanted desires historical and cultural tradition and modernism. In a society where at least five centuries ago is still involved in this story. In this paper, we investigate and analyze the aspects of the interpretation of its dimensions. This paper includes descriptive analytical process would have benefited from the resource documentation library.
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Zarei,A. and Baniardalan,I. (2017). The paradox narrative tradition and modernism
(review of theâmy name redâby orhan pamuk). Comparative Literature Research, 5(2), 1-21.
MLA
Zarei,A. , and Baniardalan,I. . "The paradox narrative tradition and modernism
(review of theâmy name redâby orhan pamuk)", Comparative Literature Research, 5, 2, 2017, 1-21.
HARVARD
Zarei A., Baniardalan I. (2017). 'The paradox narrative tradition and modernism
(review of theâmy name redâby orhan pamuk)', Comparative Literature Research, 5(2), pp. 1-21.
CHICAGO
A. Zarei and I. Baniardalan, "The paradox narrative tradition and modernism
(review of theâmy name redâby orhan pamuk)," Comparative Literature Research, 5 2 (2017): 1-21,
VANCOUVER
Zarei A., Baniardalan I. The paradox narrative tradition and modernism
(review of theâmy name redâby orhan pamuk). Comparative Literature Research, 2017; 5(2): 1-21.