Volume 11, Issue 2 (2023)
CLRJ 2023, 11(2): 155-204 |
Back to browse issues page
Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
homayouni F, Afarin F. “ Goethe, Friedrich and Runge: Study of the type of nature and the attitude towards it”. CLRJ 2023; 11 (2) :155-204
URL: http://clrj.modares.ac.ir/article-12-71394-en.html
URL: http://clrj.modares.ac.ir/article-12-71394-en.html
1- Department of art studies, faculty of art, semnan universitr
2- Associate professor, Department of art studies, Faculty of Art studies, Semnan University ,F.afarin@semnan.ac.ir
2- Associate professor, Department of art studies, Faculty of Art studies, Semnan University ,
Abstract: (1958 Views)
The problem of the research is that what is the characteristic aspect of Goethe's attitude towards nature and the depiction of nature in the works of German romantic painters? Therefore, the specific aspect of their attitude towards nature is analyzed in a descriptive-comparative way. Goethe, especially in his youth, in addition to the influence he received from Rousseau, Herder and the stormy and stress pre-romantic movement, had a more romantic attitude towards nature, and in general, nature for him, in his poems and some works, means the life of primitive societies, simplicity and untouchedness in front of civilization. (Rousseau), the spontaneity and immediacy of perception of nature of nature related to people's life and art, is beautiful nature and God, all of which are considered a kind of romantic perception of nature. Although he also defends classicism, Faust seems to be influenced by the visual point of view of romantic artists. This research comes to this conclusion from the study of Friedrich and Runge's attitude towards nature. It is more romantic. Friedrich moved from the conventionalistic symbolism of his early works to a more refined and poetic naturalism based on Goethe's mood and considered the perspective of the subject to nature in his paintings. Despite Goethe's advice, in his short life, Runge showed the romantic concept of "Hieroglyph of Nature" as an essential element of language and culture.
Keywords: nature, German romantic paintings, Goethe, mind and object, rebellious nature, allegorical nature.
Article Type: Qualitative Research |
Subject:
A comparative study of literary texts with fine arts
Received: 2023/09/4 | Accepted: 2023/12/12 | Published: 2023/05/31
Received: 2023/09/4 | Accepted: 2023/12/12 | Published: 2023/05/31
Send email to the article author
| Rights and permissions | |
 |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. |