Showing 2 results for Lermontov
Mahnush Eskandari, Ali Saeidi,
Volume 11, Issue 4 (12-2023)
Abstract
Words and meanings in literary text and especially in poetry are combined with each other as if each phoneme and syllable used in these works were chosen with a special elegance and in line with conveying a special sense and concept. The theory of phonetic induction was first proposed by Maurice Grammon, a French linguist. Based on this theory and using descriptive-analytical method, the present study investigates the inductive sounds in the poem "Sailing" (Парус) by Lermontov and its two existing translations. The results of this research show that the poet instills a feeling of confusion, struggle, displeasure and anger to the audience with the help of repetition of obstruent consonants, bright vowels, khishumi consonants and bright vowels respectively. Since the number of phonemes in the original text, verse and prose translation are not equal to each other, in order to make a more accurate and fair conclusion, the percentage of phonemes repeated in each text and the deviation from the standard. In both translations, the order of the concepts induced by the repetition of sounds is the same, but it is different from the original text, and secondly, the deviation from The criterion of the percentage of repetition of inductive sounds in the verse translation is lower than the prose translation, and as a result, the verse translation is closer to the original text in this respect.
Mahsa Rone, ,
Volume 12, Issue 3 (12-2024)
Abstract
Persian novels of the 1930s and 1940s contain common themes such as loneliness, despair, disillusionment, fear and suspicion of personal and social relationships. Taghi Modarresi wroteYakolia & her solitude under the influence of the social-political atmosphere of the 1950, especially the situation after the coup of August 28, 1953. The traces of the author's familiarity with the Holy Book are also evident both in the writing style and in the content of this novel. The suffocating atmosphere of that time forced the writer to express his political concerns behind the myth and symbolic language. Mikhail Lermontov, a Russian poet, was also affected by the political and social situation of Russia, after the failure of the Decembrists' uprising, to escape from the disappointment and rejection of the intelligentsia, he took refuge in biblical myths and composed the narrative poem "Devil" which was a reflection of his frustrations. This research with a comparative approach between these two literary works in a descriptive-analytical method is important, because of The similarity of the social-political origins of the creation of these two works, the thoughts and opinions of the two authors, the common themes and the use of the creators of both works from the Old Testament and the story of "Tamar". This study shows that Modarresi and Lermontov used the story of Tamara in book of Creation and the second part of Samuel from the Bible to create their works, and common themes such as: despair, loneliness, rejection, protest, love, etc
